[ Vi can start to inch her way to the left to see the path. It looks as if this path goes straight, and then hinges to the right, and then to the left again. Sort of a Z shape, and there are holes in the floor and shadows lingering around the thinner parts of the path.
You may continue to discuss what you’d like to do, I suppose. ]
Think we should shove them in the holes. Save the power for a time we have nothing else.
You got a point though - maybe toss them into the holes? [ she figures there are gonna be spikes. listen. what else is gonna come out of the sus holes.
she will move a little closer to the enemies to see if she can get a good shovin angle. ]
[ kiruko preps an arrow, pointing it to an enemy farther away from vi... hoping that if that monster gets shot without warning, it'll distract the one next to vi, creating an opportunity for some shoving.
bow at the ready, kiruko will hold off until the others get ready to do whatever they're doing, so they can strike as close to simultaneously as possible. once they are, that arrow's going flying. ]
[ if she's not shooting this rocket launcher she has so little to offer the situation. she doesn't have secret hidden strength she's WEAK and melee is an UNKNOWABLE WORLD!!!!! ]
[ I think Miyu could use her rocket launcher as a melee weapon yeah. But there they go around the holes… as they follow along, it’s pretty easy to sneak up on these creatures! They really just have to wait for them to turn their backs as they begin patrolling the other way.
Kiruko’s arrow goes flying and pierces one far-off monster in the back, causing the other to rush toward it thinking the enemy is that way. Good news! You cleared the path! Bad news, now the monsters are clustered up over by the two doors.
But then again, being clustered up means there’s a good angle to shove if you can sneak up on them.
Elsewhere, behind the doors, they may hear the sound of a loud, rattling clang. That's not alarming at all. ]
she moves right up to the cluster, and tries to use her sword to knock back one monster into the rest in order to send them either into a big hole, or the small sus holes, whatever she can. she has to get close though, so…. ]
[ while vi strikes, kiruko will move a little farther into the room, careful not to step on any sus-looking spots on the floor or stumble into the abyss...
how crumbly are these side-walls? are there any rocks to grab and pocket? ]
[ Surprisingly, this works better in a team of four than doing this by yourself. The walls are crumbly enough on top that you could probably grab some chunks of rocks to pocket. With Nine focusing on the back and Vi in the front, it’s easy for the two long weapons to sweep the monsters into each other and down into the abyss. Nine’s polearm swings, knocking more monsters onto the trap in the floor as thick, rusty spikes impale them. Hm. Why did that feel so easy suddenly... ?
The rattling behind the doors continues, but it’s hard to say which door it’s coming from. As they approach, they will find they can enter one of two doors.
Unfortunately, it’s hard to say which door might be better, as one has a sniper rifle emblem on it and the other has a handgun. You may only choose one door to pass. ]
[ They enter the room behind the handgun emblem, and the rattling chains stop. As they walk forward, the green light gives way to a new room, and walking ahead they will see someone standing in the center circle.
Okay, maybe standing isn’t the word for it seeing how the boy is crouched, but he seems to have been anticipating the four of you. ]
”Welcome back to reality.”
[ Hm. What does that even mean? Who is this clown? ]
well, vi doesn't recognize this kid, but - she is reluctant. she stutters to a stop, lowering her sword and fists, staring at him in the circle. she doesn't exactly want to go full force against someone who doesn't look like a monster? so she pauses, glancing at the others, and then: ]
[ oh it's her friend? then we will not point a gun at him i suppose. instead she's moving more along the side wall to get a good angle on the rest of the room.
[ What a good question! We do not know where the chains came from… perhaps it has moved on to somewhere else.
Miyu can see the rest of the room has a few other doors, openings and hiding places that are shadowed enough that it’s difficult to see if anyone or anything might be lingering.
“Maru” is still crouched on the ground, watching Kiruko grow closer while he flicks his eyes over to Vi and to Nine for asking similar questions. When he speaks again, the voice seems to be overlayed with something else, something that’s not his own. ]
”Halt, Kiruko. Not one step further.” [ But he doesn’t stop them either, and almost appears bored in a childlike wonder. ] “You really said yes to this vacation? You’re even more foolish than I thought.”
[ “Maru” gets to his feet then, seemingly stretching out a little and shaking out his hands. ]
“You escaped once. Once was enough.”
[ And in quick succession a few things happen. “Maru” snaps his fingers and summons several thugs that scatter across the room, immediately swinging to attack. As for “Maru” himself, he pivots, changes directions and dashes, barreling straight at Kiruko with a punch aimed at their face. ]
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
You may continue to discuss what you’d like to do, I suppose. ]
no subject
You got a point though - maybe toss them into the holes? [ she figures there are gonna be spikes. listen. what else is gonna come out of the sus holes.
she will move a little closer to the enemies to see if she can get a good shovin angle. ]
no subject
bow at the ready, kiruko will hold off until the others get ready to do whatever they're doing, so they can strike as close to simultaneously as possible. once they are, that arrow's going flying. ]
no subject
... Good luck... Sorry... I'm useless...
no subject
Hey, you're an extra set of eyes. That's always useful as hell.
[ he's going to follow after vi though, being careful to go slowly around the holes. ]
no subject
Kiruko’s arrow goes flying and pierces one far-off monster in the back, causing the other to rush toward it thinking the enemy is that way. Good news! You cleared the path! Bad news, now the monsters are clustered up over by the two doors.
But then again, being clustered up means there’s a good angle to shove if you can sneak up on them.
Elsewhere, behind the doors, they may hear the sound of a loud, rattling clang. That's not alarming at all. ]
no subject
she moves right up to the cluster, and tries to use her sword to knock back one monster into the rest in order to send them either into a big hole, or the small sus holes, whatever she can. she has to get close though, so…. ]
no subject
how crumbly are these side-walls? are there any rocks to grab and pocket? ]
no subject
no subject
no subject
The rattling behind the doors continues, but it’s hard to say which door it’s coming from. As they approach, they will find they can enter one of two doors.
Unfortunately, it’s hard to say which door might be better, as one has a sniper rifle emblem on it and the other has a handgun. You may only choose one door to pass. ]
no subject
she pauses, glancing at the doors… the sniper rifle makes her a little nervous but the handgun does not help, really. a beat. ]
Which one…?
no subject
[ helpful. ]
Failing that... I dunno. That one. [ points at the one with the handgun. ]
no subject
But I agree. Handgun...
no subject
What if it's the same monster behind both doors?
[ he's cool with handgun because that's what his brother uses. time to open it up. ]
no subject
Okay, maybe standing isn’t the word for it seeing how the boy is crouched, but he seems to have been anticipating the four of you. ]
”Welcome back to reality.”
[ Hm. What does that even mean? Who is this clown? ]
no subject
well, vi doesn't recognize this kid, but - she is reluctant. she stutters to a stop, lowering her sword and fists, staring at him in the circle. she doesn't exactly want to go full force against someone who doesn't look like a monster? so she pauses, glancing at the others, and then: ]
What's that supposed to mean?
no subject
Maru!?
What the -- how did you get here!? I told you never to disappear on me again, you...!
[ all of that caution from earlier is out the window, and kiruko is running forward to see him. ]
no subject
she is not good at socializing anyway. ]
no subject
[ also are there chains any where? where did the noises come from is there anything else in the room? ]
no subject
Miyu can see the rest of the room has a few other doors, openings and hiding places that are shadowed enough that it’s difficult to see if anyone or anything might be lingering.
“Maru” is still crouched on the ground, watching Kiruko grow closer while he flicks his eyes over to Vi and to Nine for asking similar questions. When he speaks again, the voice seems to be overlayed with something else, something that’s not his own. ]
”Halt, Kiruko. Not one step further.” [ But he doesn’t stop them either, and almost appears bored in a childlike wonder. ] “You really said yes to this vacation? You’re even more foolish than I thought.”
[ “Maru” gets to his feet then, seemingly stretching out a little and shaking out his hands. ]
“You escaped once. Once was enough.”
[ And in quick succession a few things happen. “Maru” snaps his fingers and summons several thugs that scatter across the room, immediately swinging to attack. As for “Maru” himself, he pivots, changes directions and dashes, barreling straight at Kiruko with a punch aimed at their face. ]
no subject
... she won't attack this kid, she'll just go for the thugs immediately, throwing herself into the fray. ]
no subject
but is too slow to draw, gets punched in the face, and drops to the floor. oof. ]
... Maybe I deserved that... getting fooled like an idiot...
[ grumbling while trying to get back up. ]
no subject
shoots the rocket launcher at the farthest enemies??? ]
Um... is now a good time for that trick...?
no subject
Get the hell away from Kiruko, yo!
[ probably not smart with an enemy coming at him but you know. it's fine. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)